College student and Economics major, Yuka Minami (19) suddenly learns of the freakish death of her friend, Ikumi, on whose corpse were found reams of 10,000-yen bills. The eyes of Yukichi Fukuzawa, the face on the 10,000-yen note, had all been darkened black. When the bodies of 5 more men and women around Ikumi turn up in the same manner, rumors spread of a “death cash” curse. Frantic over this rash of inexplicable deaths in her immediate surroundings, Yuka one day hits upon a certain “rule” she believes might combat the workings of these fatal deaths. Horror and suspense surround her in this visceral depiction of modern society’s biggest and most terrifying subject: money.

DigiCon6 ASIA, which began in 2000, has grown to become Asia’s largest short movie film festival. Currently, 10 countries and regions participate including Japan, China, Taiwan, India, Hong Kong, Korea, Malaysia, Singapore, Thailand and Indonesia. All submitted works have an easily viewable running time of 15 minutes or less, running the gamut of formats from CG animation (2D & 3D) and stop motion/clay animation to live action, and spanning a wide variety of genres from children’s animation and human drama to action and science fiction. Carefully-selected works by Asia’s top film creators are presented.
Over 100 works
15 minutes or less per work
Single-story format

Mayako, a married woman, finds her life of comfort and casual affairs thrown into disarray when she unexpectedly falls in love with a younger man. Here is a modern fable of the moral dilemmas facing today’s women, in a time where the expectations of love, marriage, and divorce from earlier generations no longer seem true.

Mitsu is a 29-year-old woman who married “the number 2 man in her life,” but has been unable to forget her first love, Arishima. When she accidentally encounters him after several years, she feels it is destiny calling, and the two spend one night together in secret from their spouses. Airtime himself has just begun a family of his own, with a newborn child, but he and Mitsu find themselves continuing their affair. While they at first enjoy what seems to be a no-strings at-tached affair, it gradually begets subtle changes in feeling. Mitsu’s husband, Ryota, becomes aware of the affair and ups his devotion to her to keep her. Meanwhile, Arishima’s wife, Reika, is a picture perfect mother and devoted wife, throwing this four-way relationship into an increas-ingly complicated web of mixed emotions.

Based on the writings of a true life, vision-impaired lawyer comes a story about a blind man who manages to pass the extremely difficult bar exam and earn his lawyer’s license. Long desiring to help the weak, Kensuke Okochi gets a job at an attorney’s office while he and his wife, also blind, look forward to their first child. When a plaintiff in a divorce case decides to withdraw from litigation, Kensuke worries at first that it has to do with his own perceived inadequacies as a lawyer, but a few days later, he is visited by the female plaintiff, Satomi, showing injuries to her body. While it appears an open and shut case of domestic violence with an audio recording as proof, Kensuke detects a “certain scent” coming from the plaintiff which gives him pause as to her real intentions.

The crowning work of Go Osaka, one of Japan’s leading hard-boiled mystery writers, his series “Mozu” (Bull-headed shrike) has sold almost 700,000 copies to date.

【MOZU Season1: Night Cry of the Mozu】
Ace police officer of the public safety department plice, Kuraki (Hidetoshi Nishijima) who lost his wife in a bombing incident, Osugi (Teruyuki Kagawa), a cop who rose from the bottom of the ranks up through the 1st Criminal Section, and a tough woman cop, Miki (Yoko Maki), form an odd trio that gradually learn to trust each other as they try to solve a town bombing, catch an assassin that goes by the name “Mozu”, and expose shady past collusions and conspiracy within the police department. The truth emerges slowly from a whirlpool of human intrigue that will keep you glued to your screen in a blockbuster production that goes beyond the conventional scale and realm of television.

【MOZU Season2: Phantom Wings】
One year following the first season “Night Cry of the Mozu”, an even more wicked challenge presents itself to Kuraki and his gang in the form of an international conspiracy. A murder in the style of Mozu occurs near Kuraki, Osugi and Miki that points to not only Japan but to an international terrorist ring surrounding the “Phantom wings” and a high-stakes gamble. The shocking truth behind a peaceful society is about to be revealed! “Phantom Wings” adds new cast members to this action thriller sure to shake the foundation of your values and view toward life.

A legendary television series and cultural asset that first aired 32 years ago, Mr. Kinpachi in Class B is famous for putting many social issues on the front burner of the public conscious over its long run, as filtered through the emotionally volatile lives of third year middle school students. The heartfelt relations between a devoted schoolteacher, Kinpachi Sakamoto, and his unique students have won the show high praise for several decades. Whether due to the pressures of exams, family relations, teachers and friends, graduating middle school students navigate a turbulent hormonal sea of “hope” and “frustration”, constantly shaped by the social environment of the times. Standing as a beacon in the storm and emitting messages of hope for each generation is one Japanese teacher, Kinpachi Sakamoto, who has come to be adored and admired by a nation through the adventures of Class 3B.

The story begins when a housewife named Aoi meets a boy named Yuichi, who is the orphaned son of her close friend. It is a heartwarming comedy about Aoi, the constantly positive, cheerful and accommodating housewife, transforming Yuichi, a sissy and sensitive crybaby, into a mature and independent man.

Yamakura of the Kobe Fire Department aspires to wear the vaunted “orange” uniform of an elite rescue force that only 3% of all firefighters can attain. But to do so, he and his fellow trainees must suffer through the most rigorous training. As Yamakura and his fellow trainees grit their teeth and complain, their superior officer, Sakurai, impresses upon them the lessons of the Great Hanshin Earthquake (Kobe Earthquake) 20 years ago as “the only time we ever lost.” What hap-pened on the front lines of rescue that day and in the aftermath? What raced through the hearts and minds of rescuers as they tried to get a handle on unimaginable disaster? The shocking facts pour from Sakurai’s mouth in hopes of preparing the recruits for the unforgettable event that awaits them.

A woman is found strangled to death in an apartment in Tokyo’s Katsushika Ward.
The victim is Michiko Oshitani, a resident of Shiga Prefecture who worked for a home cleaning company.
What’s more, the occupant of the apartment where the murder took place, Mutsuo Koshikawa, has gone missing.
Matsumiya (Junpei Mizobata) and his fellow detectives of the Tokyo Metropolitan Police’s Investigation Section 1 begin investigating, but hit a brick wall when they fail to find any links between Oshitani and Koshikawa.
Why was Oshitani, who lived in Shiga, killed in Tokyo?
Eventually, the detectives’ inquiries lead them to a theater director named Hiromi Asai (Nanako Matsushima).
They learn that Oshitani came to Tokyo to visit her former classmate Asai, but again come up with nothing when searching for connections between Asai and Koshikawa, and their investigation grinds to a halt.
Matsumiya has a hunch that a charred corpse found nearby the murder scene may have some relevance to the case, and subsequently discovers an item among the victim’s belongings with the names of Nihonbashi’s 12 bridges written on it.
When Kyoichiro Kaga (Hiroshi Abe) learns of this, he is deeply shaken.
It is somehow connected to his mother, who died alone...